New York, Presse, 21.04.2023
 The large fabrication hall in Barry X Ball’s studio. On the left, Ball’s Pietà (2011–22), sculpted from translucent white Iranian onyx (after the Pietà Rondanini (1552–64) by Michelangelo Buonarroti). To the right, the “arabescato” Saint Bartholomew Flayed – Ascension (2011–21), created from French Rouge du Roi marble (after San Bartolomeo Scorticato (1562) by Marco d’Agrate). Photo: Vincent Tullo.
Barry X Ball abonnieren