The Laboratory of the Future“What does it mean to be ‘an agent of change’? (…) Over the past nine months, in hundreds of conversations, text messages, Zoom calls and meetings - stated Lesley Lokko - the question of whether exhibitions of this scale — both in terms of carbon and cost — are justified, has surfaced time and again. In May last year, I referred to the exhibition several times as ‘a story’, a narrative unfolding in space. Today, my understanding has changed. An architecture exhibition is both a moment and a process. It borrows its structure and format from art exhibitions, but it differs from art in critical ways which often go unnoticed. Aside from the desire to tell a story, questions of production, resources and representation are central to the way an architecture exhibition comes into the world, yet are rarely acknowledged or discussed. From the outset, it was clear that the essential gesture of The Laboratory of the Future would be ‘change’”.

“(…) For the first time ever, the spotlight has fallen on Africa and the African Diaspora, that fluid and enmeshed culture of people of African descent that now straddles the globe. What do we wish to say? How will what we say change anything? And, perhaps most importantly of all, how will what we say interact with and infuse what ‘others’ say, so that the exhibition is not a single story, but multiple stories that reflect the vexing, gorgeous kaleidoscope of ideas, contexts, aspirations, and meanings that is every voice responding to the issues of its time?”

“It is often said that culture is the sum total of the stories we tell ourselves, about ourselves. Whilst it is true, what is missing in the statement is any acknowledgement of who the ‘we’ in question is. In architecture particularly, the dominant voice has historically been a singular, exclusive voice, whose reach and power ignores huge swathes of humanity — financially, creatively, conceptually — as though we have been listening and speaking in one tongue only. The ‘story’ of architecture is therefore incomplete. Not wrong, but incomplete. It is in this context particularly that exhibitions matter”.

Exhibition structure“The Laboratory of the Future is an exhibition in six parts. It includes 89 Participants, over half of whom are from Africa or the African Diaspora. The gender balance is 50/50, and the average age of all Participants is 43, dropping to 37 in the Curator’s Special Projects, where the youngest is 24. 46% of participants count education as a form of practice, and, for the first time ever, nearly half of Participants are from sole or individual practices of five people or less. Across all the parts of The Laboratory of the Future, over 70% of exhibits are by practices run by an individual or a very small team. (…)”

“Central to all the projects is the primacy and potency of one tool: the imagination - Lokko said. It is impossible to build a better world if one cannot first imagine it. The Laboratory of the Future begins in the Central Pavilion in the Giardini, where 16 practices who represent a distilled force majeure of African and Diasporic architectural production have been gathered. It moves to the Arsenale complex, where participants in the Dangerous Liaisons section – also represented in Forte Marghera in Mestre - rub shoulders with the Curator’s Special Projects, for the first time a category that is as large as the others. Threaded through and amongst the works in both venues are young African and Diasporan practitioners, our Guests from the Future, whose work engages directly with the twin themes of this exhibition, decolonisation and decarbonisation, providing a snapshot, a glimpse of future practices and ways of seeing and being in the world. (…) We have deliberately chosen to frame participants as ‘practitioners’ – the Curator stated – and not ‘architects’ and/or ‘urbanists’, ‘designers’, ‘landscape architects’, ‘engineers’ or ‘academics’ because it is our contention that the rich, complex conditions of both Africa and a rapidly hybridising world call for a different and broader understanding of the term ‘architect’.

Statement by PresidentRoberto Cicutto“A laboratory of the future must necessarily begin from a specific starting point, from one or more hypotheses seeking confirmation - Roberto Cicutto, President of La Biennale di Venezia, stated. Lokko starts with her continent of origin, Africa, to talk about its historical, economic, climate and political criticalities and to let us all know «that much of what is happening to the rest of the world has already happened to us. Let’s work together to understand where we have gone wrong so far and how we must face the future». This is a starting point that seeks to heed those segments of humanity that have been left out of the debate and opens to a multiplicity of voices that have been silenced for so long by the one that considered itself to be rightfully dominant in a vital and unavoidable contest.”

“I believe that this is La Biennale di Venezia’s true task as an institution, and not only for Architecture. We must start here to seize the opportunity that will allow us to raise the bar in the way we approach all the other disciplines as well.” - (Roberto Cicutto Statement attached)