Over 2,000 international design businesses took part in the 2016 London Design Festival including exhibitors at the five Design Destinations: 100% Design, Decorex International, designjunction, Focus/16 and The London Design Fair. Partners ranged from emerging design studios to established international designers, from major institutions to small galleries, displaying the latest ideas or launching new products.

This year saw seven Design Districts including a newcomer, the Brixton Design Trail, with a total of 212 design businesses participating in the Festival, each offering a programme of events, exhibitions, talks and tours. The V&A museum, the Festival’s main hub, received a total of 110,596 visitors over the duration of the Festival, and on Saturday 24 reached capacity and the doors were closed.

LANDMARK PROJECT MINI LIVING “FORESTS” INSTALLATION BY ASIF KHANMINI partnered with designer Asif Khan to continue its MINI LIVING programme — an exploration of architectural solutions to urban living challenges. “Forests” addressed the need for a functional and flexible network of ‘third places’ in the urban environment.

MINI Living scanned London for spatial potentials within the public realm and identified a network of three exemplary locations of underused public spaces within the city fabric. Three architectural installations with different interior landscapes yet all filled with plants were designed by Asif Khan to sit on nearby sites in Shoreditch’s busy city streets, offering visitors a temporary network of “third places” to connect, create and relax in an immersive atmosphere. The family of architectural “Forests” installations used plants to explore the relationship between public and private space in the city and demonstrate a creative approach to improving the quality of urban life. The plants themselves were curated by established Horticulturalist Jin Ahn from Conservatory Archives in Hackney and nearly 3000 plants were given away to visitors during the Festival allowing them to make the link between public and private spaces. During the Festival, several events took place in Vince Court that sought to demonstrate the overall concept of MINI LIVING - the urban relationships between work and play, public and private space, showing us how we can live in new collective ways.

The London Design Festival is renowned for its ambitious Landmark Projects. These major installations, first introduced in 2007, involve commissioning the world’s best designers, artists and architects, as well as pioneering new talents, to create something extraordinary. Appearing in some of London’s most prominent and best- loved spaces, the landmark projects demonstrate some of the most inventive ideas in design and have become the public face of the Festival.

Architect Alison Brooks’ Landmark Project for the London Design Festival, in collaboration with AHEC, was a spectacular 34m long, 3m high urban pavilion that takes the shape of a Smile. Located in the grounds of Chelsea College of Arts, The Smile represented an engineering feat for Arup as one of the most create the most complex CLT structures ever built. A four sided curved tube that curved upward to its two open ends, allowing light to wash across its floor. The Smile hovered 3m above the ground, while its two ends were viewing platforms that took in the sky and reach out to neighbouring buildings.

Made entirely of tulipwood, and a segment of a 100m diameter circle, the Smile delivered an immersive environment integrating structure, surface, space and light.

FOIL BY BENJAMIN HUBERT LAYEROne of the acknowledged highlights at the V&A was the collaboration between British design entrepreneur and founder of design agency Layer, Benjamin Hubert and iconic German brand Braun to create FOIL, an immersive installation located in the V&A’s Tapestries Gallery. The large scale installation comprised 50,000 mirror- finish stainless steel panels on a 20-metre by 1.2-metre undulating ribbon driven by a high-power motor in a constant motion. Light from LEDs reflected off the panelled surface to create a slowly morphing and evocative pattern of scattered light, moving across the walls and ceiling of the gallery. The installation was accompanied by an atmospheric soundscape which emulated the fluid motion of the sculpture and the reflected light.

THE GREEN ROOM BY GLITHEROTaking full advantage of a six storey stairwell on the west side of the Museum, The Green Room was a monumental installation at the V&A conceived by London design studio Glithero in partnership with luxury watch maker Panerai. Renowned for their mesmerising, time-based mechanical installations, Glithero created a cylindrical curtain made up of 160 multicoloured silicone cords that made the most of the stairwell’s 17.5 metre drop. Each cord was connected to a central rotating cam arm that turned at a rate of one revolution per minute. One by one the strings were lifted, slowly rising 2.5 metres from their starting point before returning back down again, creating the effect of parabolic motion.

LIQUID MARBLE BY MATHIEU LEHANNEURThe third installation of French multi-disciplinary designer Mathieu Lehanneur’s Liquid Marble series, the piece was designed specifically for the Norfolk House Music Room, which was displayed during the Festival in the V&A’s British Galleries, Room 52. The complexities of water motion were captured using sophisticated 3D software developed for the film industry and a single block of marble was then machined and hand polished to create a reflective surface. Viewers were invited to enter into a meditative state as the reflection of light on the polished marble creates a realistic, yet static, representation of the ocean’s movement.

BELOVEDIstanbul-based architecture firm Tabanlıoglu Architects brought Sabahattin Ali’s classic 1943 novel Madonna in a Fur Coat to life on the bridge over the V&A’s Medieval & Renaissance Galleries. The evocative installation, titled Beloved, took the form of a 13-metre-long mirrored black box on the bridge. Visitors could peer inside through cracks in the surface of the enclosure to see atmospheric scenes from the novel re-created using cinematic techniques, physical objects, text, light and sound.

V&A MUSEUM OF DUNDEE VARIOUS DESIGNERSAhead of opening in 2018, the creative team behind the development of V&A Museum of Design Dundee used the London Design Festival 2016 to showcase the current strengths of contemporary Scottish design talent and production. Rich, bold and confident, Scotland’s design creativity is making an ever greater impact. Featuring the work of designers who built their career Scotland, Northern Lights encompassed a range of designers from a variety of fields, including fashion, furniture, interiors, product and jewelry.

V&A ENGINEERING SEASON VARIOUS DESIGNERSThe V&A Engineering Season coincided with London Design Festival and highlighted the importance of engineering in our daily lives, viewing engineers as the ‘unsung heroes’ of design, who play a vital and creative role in the creation of our built environment. A newly-commissioned installation by experimental architect Achim Menges with Moritz Dörstelmann, structural engineer Jan Knippers and climate engineer Thomas Auer, was situated in the Museum’s John Madejski Garden. Their first ever public commission in the UK, Elytra Filament Pavilion explored the impact of emerging robotic technologies on architectural design, engineering and making. The Pavilion grew and evolved over the course of the V&A Engineering Season in response to data on structural behaviour and patterns of inhabitation of the Garden that is captured by real-time sensors in its canopy fibres.

The first major retrospective of the most influential engineer of the 20th century, Engineering the World: Ove Arup and the Philosophy of Total Design continues to run at the V&A, and focuses on the design philosophy of Ove Arup, the pioneer of a multidisciplinary approach to design that has defined the way engineering is understood and practiced today.