Olaf Schou (1861-1925) was particularly taken with Munch’s work, and beginning in the 1880s he provided him with financial support whilst purchasing his works regularly at exhibitions. The relationship between artist and patron was one of mutual respect, and over time Munch began reserving some of his most important works for his ardent and long-time proponent, including The Scream of 1893. Schou acquired these two lithographic impressions directly from Munch circa 1900. They were subsequently inherited by Olaf’s brother, Christian Schou, and thence by descent they passed into the collection of the present owners.

James Mackie, Head of Sotheby’s Impressionist & Modern Art Department, London, said: “Munch’s The Scream has transcended art history to reach a global consciousness and his lithograph of 1895 helped initiate the process of its mass proliferation. This exceptional impression has an impact no less powerful than Munch’s 1893 tempera and crayon version.”

Lucy Rosenburgh, Sotheby’s Prints Specialist, said: “The distinguished history of these masterpieces of printmaking makes their appearance on the market all the more exciting and significant. We’re thrilled to be able to offer The Scream lithograph that was originally part of a collection which included one of the four unique Screams.”